Vocal music - solo

Songs (including with orchestra)

• Sonnet (Shakespeare: 1901)
• Berceuse (Dorothy Wordsworth: 1901) for soprano and orchestra, Thames, 1990
• 'If I could choose' (Thomas Ashe: c. 1902), Keith Prowse, 1902
• The Primrose (Herrick: c. 1902), Keith Prowse, 1902
• The Hag (Herrick: 1902) for baritone and orchestra
• A Dirge (Shelley: 1903) for medium voice, in Five Early Songs, Thames, 1981
• The Devon Maid (Keats: 1903) for medium voice, in The Vocalist, No 42, September 1905
• 'Rising when the dawn still faint is' (Heine: 1903), revised as Dawn and Evening (Heine: 1903), in The Vocalist, No 43, October 1905, also arranged for voice and orchestra
• Two Heine Songs: 1. 'Where e'er my bitter teardrops fall': 2. E'en as a lovely flower' (Heine: 1903) for tenor and piano, in The Vocalist, No 43, October 1905, No 2 only, No 2 also arranged for tenor and orchestra
• The Mountain Voice (Heine: 1903) incomplete
• 'Blow, blow thou winter wind' (Shakespeare: 1903) for medium voice, Schirmer, 1916
• 'Go not, happy day' (Tennyson: 1903), in The Vocalist, No 42, September 1905
• 'Night lies on the silent highways' (Heine: 1904) for medium voice, in Five Early Songs, Thames, 1981
• A Dead Violet (Shelley: 1904) for medium voice, in Five Early Songs, Thames, 1981
• Two Songs: 1. 'Fall now my cold thoughts' (?: 1904); 2. 'Fly home my thoughts' (Laurence Binyon: 1904)
• Remembrance (Shelley: c. 1904)
• Harebell and Pansy (?: 1904) incomplete
• Three Songs: 1. Love; 2. Life; 3. Death (?: 1904) No 3 incomplete
• Cradle Song (Tennyson: c. 1904)
• 'Lean close thy cheek against my cheek' (Heine: 1905)
• 'Fair daffodils' (Herrick: 1905, revised c. 1919), Winthrop Rogers, 1919
• Adoration (Keats: 1905, revised c. 1918) for medium voice, Winthrop Rogers, 1918, also arranged for voice and orchestra
• 'So perverse' (Robert Bridges: 1905) for medium voice, in The Vocalist, No 45, December 1905
• 'Tears, idle tears' (Tennyson: 1905) for medium voice, in Five Early Songs, Thames, 1981
• Two Songs: 1. 'I praise the tender flower'; 2. 'Thou didst delight my eyes' (Robert Bridges: 1906) for high baritone and orchestra
• 'The violets blue' (Heine: 1906), Winthrop Rogers, 1916, also arranged for voice and string quartet
• 'Come to me in my dreams' (Matthew Arnold: 1906), Winthrop Rogers, 1918
• 'My pent up tears oppress my brain' (?: 1906), in Five Early Songs, Thames, 1981
• Three Songs: 1. 'Far, far from each other' (Matthew Arnold); 2. 'Where is it that our soul doth go?' (Heine); 3. 'Music when soft voices die' (Shelley) (1906/7) for medium voice and piano with viola obbligato (No 3, original version for high voice and piano, 1903), Thames, 1982
• 'All things that we clasp' (Heine: 1907), Winthrop Rogers, 1916
• 'Love is a rose' (Leah Durand: 1907)
• 'Dear, when I look into thine eyes' (Heine: 1908)
• Isobel (Digby Goddard-Fenwick: 1912), Chappell, 1913
• 'O that it were so' (Walter Savage Landor: c. 1912), Chappell, 1913, also arranged for voice and orchestra
• 'Strew no more red roses' (Matthew Arnold: 1913), Winthrop Rogers, 1917
• 'Where she lies asleep' (Mary E Coleridge: 1914), Schirmer, 1916, also arranged for voice and string quartet or orchestra
• 'Love went a-riding' (Mary E Coleridge: 1914), Schirmer, 1916, also arranged for voice and orchestra
• 'Thy hand in mine' (Mary E Coleridge: 1917), Winthrop Rogers, 1917, also arranged for voice and orchestra (1923)
• To You In France (Helen Dircks: 1917) incomplete
• 'So early in the morning, O' (James Stephens: 1918) for high voice, Winthrop Rogers, 1918
• Mantle of Blue (Padriac Colum: 1918), Winthrop Rogers, 1919, also arranged for voice and orchestra (1934)
• 'Blow out, you bugles' (Rupert Brooke: 1918) for tenor and orchestra or piano, with optional trumpet, Winthrop Rogers, 1919
• The Last Invocation (Walt Whitman: 1918) Winthrop Rogers, 1919
• Three Variations on Cadet Rousselle (Trad: 1918), Chester, 1920, also arranged for voice and orchestra (1931)
• 'When you are old' (W B Yeats: 1919) for high voice, Chappell, 1919
• Into Her Keeping (H D Lowry: 1919), Winthrop Rogers, 1919
• 'What shall I your true love tell?' (Francis Thompson: 1919), Winthrop Rogers, 1919
• ''Tis but a week' (Gerald Gould: 1919), Winthrop Rogers, 1919
• Three Tagore Songs: 1. 'Day after day'; 2. 'Speak to me my love'; 3. 'Dweller in my deathless dreams' (Tagore: 1922/1924/1925), Augener, 1925 (Nos 1 and 2), 1926 (No 3), also Nos 1 and 2 arranged for voice and orchestra
• Goldenhair (James Joyce: 1925), Chappell, 1925
• Journey's End (Humbert Wolfe: 1925) for tenor/high baritone, Augener, 1926

Recitations

• Two Recitations: 1. The Lovers' Quarrel (Browning); 2. The Maniac (Matthew Gregory Lewis) (c. 1903 or 1906)